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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Richard Zeman (Flight Director), Emmy Rossum (Laura Chapman), Dennis Quaid (Jack Hall), Mimi Kuzyk (Secretary of State), Michel 'Gish' Abou-Samah (Saudi Translator), Ian Holm (Terry Rapson), Kenneth Welsh (Vice President Becker), Perry King (President Blake), Glenn Plummer (Luther), Nestor Serrano (Gomez), John Maclaren (Veteran Scientist), Arjay Smith (Brian Parks), Christopher Britton (Vorsteen), Nassim Sharara (Saudi Delegate), Jake Gyllenhaal (Sam Hall), Sela Ward (Dr. Lucy Hall), Kenneth Moskow (Bob), Dash Mihok (Jason Evans), Adrian Lester (Simon), Carl Alacchi (Venezuelan Delegate), Japanese Astronaut), Christian Tessier (Aaron), Sasha Roiz (Parker), Vitali Makarov (Yuri, Russian Astronaut), Russell Yuen (Hideki, Tamlyn Tomita (Janet Tokada), Austin Nichols (J.D.), Jay O. Sanders (Frank Harris)
0319262
The Day After Tomorrow Methode, um zu bleiben film produziert von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, mit der Verwendung von a Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und Beste mit Schauspielern.
Sie sind fast nur beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in HD-Video zu denken, dass sein sollen freigegeben als Teil der Land. bewegen Sie Favoriten sofort movie, auf drücken eines Leistungsschalters! die beinhaltet eine uneingeschränkt Menge Bandbreite und Inhalte zu streamen, zu beobachten was Sie suchen, Wann immer du willst!
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Still Photographer : Takashi Seida, Supervising Sound Editor : Mark P. Stoeckinger, Script Supervisor : Sophie Boyer, Sound Engineer : John Bires, Camera Operator : Gary L. Camp, Lighting Supervisor : Chris Wells, Technical Supervisor : Irfan Celik, Casting : April Webster, Stand In : Martin Brisebois, Roto Supervisor : Stephanie Taubert, 3D Supervisor : Rina Strause, Digital Compositors : Sean Apple, Transportation Co-Captain : Spiro Tsovras, Visual Effects Producer : Mike Chambers, Modeling : Yoshiya Yamada, Production Design : Barry Chusid, Driver : Chris Haynes, Visual Effects Supervisor : Conny Fauser, Visual Effects Producer : Raoul Bolognini, Sound Designer : Randy Kelley, Set Designer : Stephanie Gilliam, Still Photographer : Kerry Hayes, Visual Effects Producer : Todd Isroelit, Camera Operator : Peter Hutchison, Visual Effects Supervisor : Jerry Spivack, Art Direction : Réal Proulx, Visual Effects Supervisor : Richard Britton, Sculptor : Andrew Semple, Property Master : Denis Hamel, Sound Mixer : David O. Daniel, Key Hair Stylist : Janis Clark, Storyboard : Timothy Burgard, Musician : Maria Newman, Construction Coordinator : Bruce Di Valerio, Unit Manager : Paul Boutin, Matchmove Supervisor : Alia Agha, 24 Frame Playback : Marie-Pierre Tétreault, Script Supervisor : Kim Berner, Production Illustrator : Michael Meier, Sound Designer : Alan Rankin, Key Grip : Marc Andrus, Assistant Property Master : Eric Bardin, Scenic Artist : Donald Beaulieu, Digital Effects Supervisor : Bryan Grill, Grip : Joost Clerinx, Lighting Technician : Stéphane Byl, Production Accountant : Manon Lapointe, Sound Re-Recording Mixer : Doug Hemphill, Camera Operator : Georgia Packard, Loader : Amelie Duceppe, Rigging Grip : Richard Complaisance, Supervising Sound Editor : Larry Kemp, Visual Effects Art Director : Alexander Laurant, Location Manager : Kenneth E. Fix, Visual Effects Supervisor : Remo Balcells, Set Production Assistant : Mariana Acuña Acosta, Art Department Coordinator : Nancy A. King, ADR & Dubbing : Derek Casari, Art Department Assistant : Una Martin, Makeup Effects : George Tucci, First Assistant Editor : Robert Berman, Supervising Art Director : Claude Paré, Pilot : Al Cerullo, Second Assistant Director : Erik Ajduk, Construction Coordinator : Rejean Brochu, Set Designer : Karl J. Martin, Casting Associate : Scott David, First Assistant Sound Editor : Victor Ray Ennis, Second Unit Cinematographer : Tom Yatsko, Assistant Production Coordinator : Guylaine Boucher, CG Supervisor : Dagan Potter, Post Production Supervisor : Jeffrey Harlacker, Music Editor : Bob Beher, Special Effects : Neil Corbould, Visual Effects Supervisor : Ian Hunter, Makeup Artist : Sharon Ilson, Visual Effects Producer : Michael Meagher, Second Unit Cinematographer : Anna Foerster, Stunts : Marcello Bezina, Location Manager : Lily Flaschner, Executive Visual Effects Producer : Marc Sadeghi, Associate Producer : Lawrence Inglee, Director of Photography : Ueli Steiger, Visual Effects Supervisor : Rocco Passionino, Best Boy Electric : Edison Jackson, Set Designer : Steve Cooper, Color Timer : Michael Eaves, Makeup Artist : Elisabeth Fry, Steadicam Operator : Gary L. Camp, Makeup Effects : Sylvania Yau, Art Direction : Gerald Sullivan, ADR Editor : Kerry Dean Williams, Director : Roland Emmerich, Helicopter Camera : Steve Hertler, Executive Producer : Stephanie Germain, Editor : David Brenner, Makeup Effects : C.J. Goldman, Sound Recordist : Chris Walmer, 3D Artist : Zack Judson, First Assistant Camera : Michel Bernier, Animation Supervisor : Danny Gordon Taylor, First Assistant Director : Kim H. Winther, Set Designer : Frédéric Amblard, Rigging Gaffer : Frank Dorowsky, Visual Effects Supervisor : Colin Strause, Visual Effects Editor : Nicolas Anastassiou, Unit Production Manager : Joe Dishner, Leadman : David M. Milstien, Systems Administrators & Support : Joe Ardent, Sound Recordist : Dennis Rogers, Transportation Coordinator : Javier Gunther, Visual Effects Supervisor : Greg Anderson, Visual Effects Coordinator : Erica Headley, Camera Operator : Bill O'Drobinak, Associate Producer : Kim H. Winther, Production Coordinator : Danielle Boucher, Dialogue Editor : Daniel S. Irwin, Visual Effects : Michael Leung, Set Dresser : Louis Dandonneau, Visual Effects Supervisor : Karen E. Goulekas, Set Designer : Caroline Alder, Visual Effects Editor : Michael Cavanaugh, Set Decoration : Paul Hotte, Gaffer : Logan Leabo, CG Supervisor : Hans Uhlig, CG Supervisor : Andrew Waisler, Set Costumer : Arlynn Abseck, Property Master : Claire Alary, Camera Operator : Francois Archambault, I/O Supervisor : Ryan Beadle, Visual Effects Producer : Jody Echegaray, Key Costumer : Valerie T. O'Brien, Visual Effects Supervisor : Greg Strause, Hairstylist : Sandy DeBlasio, Sequence Leads : Jason Iversen, Sound Designer : Harry Cohen, Orchestrator : Frank Bennett, Local Casting : Cate Praggastis, Painter : Gloria Ciraolo, Visual Effects : Diane Macke, Casting : Andrea Kenyon, Author : Jeffrey Nachmanoff, Key Makeup Artist : Kathryn Casault, Casting Assistant : Bryan Riley, Electrician : Paul Postal, Assistant Art Director : Camille Parent, Digital Intermediate : Lorene Simpson, Craft Service : Chris Winn, Sound Designer : Ann Scibelli, Construction Coordinator : Alain Brochu, Special Effects Supervisor : Louis Craig, Line Producer : Tavin Marin Titus, CG Supervisor : David Prescott, Negative Cutter : Gary Burritt, Set Designer : Alex Touikan, Sound Recordist : Tim Gomillion, Set Decoration : Victor J. Zolfo, Visual Effects Supervisor : Chris Watts, Camera Operator : Alfonso Maiorana, Carpenter : Jane Kilkenny, Art Direction : Martin Gendron, Boom Operator : Timothy P. Salmon, Software Engineer : Chamberlain Fong, Set Designer : Hugo Santiago, Producer : Mark Gordon, Utility Sound : Schavaria Reeves, Sound Effects Editor : Michael Kamper, Stunt Coordinator : Branko Racki, Visual Effects Producer : Casey Conroy, Costume Design : Renée April, Rigging Gaffer : Gilles Fortier, Visual Effects : Kristen Branan, Casting : Randi Wells, Author : Roland Emmerich, Foley : Glenn T. Morgan, Executive Producer : Kelly Van Horn, Camera Loader : Charlie Newberry, Producer : Roland Emmerich, Dialogue Editor : James Matheny, Costume Supervisor : Robert Q. Mathews, CG Supervisor : Sean Andrew Faden, Construction Foreman : Eric Lafrance, Techno Crane Operator : Richard Boucher, First Assistant Editor : Quincy Z. Gunderson, Co-Producer : Thomas M. Hammel, Set Decoration Buyer : Stacy Weddington, Production Manager : Daniel Auclair, Production Sound Mixer : Douglas J. Schulman, Camera Technician : Steven J. Winslow, Creature Technical Director : Vijay Myneni, Set Designer : Vincent Gingras-Liberali, Finance : Linda Strause, Executive In Charge Of Production : Vanessa R. Jordan, Transportation Captain : John Bober, Costume Supervisor : Kenn Smiley, Steadicam Operator : Francois Archambault, Utility Stunts : Nick Brandon, Music Editor : Emanuele Arnone, Stunt Coordinator : Charlie Brewer, Transportation Coordinator : Daniel Matthews, Set Medic : Jean Marchand, Hairstylist : Kathryn Powell, Hairstylist : Réjean Forget, Video Assist Operator : Julie Garceau, Chief Lighting Technician : Jean Courteau, Propmaker : Patrice Jacques, Camera Operator : Eric Goethals, Third Assistant Director : Paul Drouin, Art Direction : Michele Laliberte, Unit Publicist : Joe Everett, Art Direction : Tom Reta, Pre-Visualization Supervisor : Daniel Fort, Sculptor : Lucie Fournier, Sound Recordist : Jon S. Trebilcock, Original Music Composer : Thomas Wanker, Executive Producer : Ute Emmerich, Costume Coordinator : Lyse Pomerleau, 3D Animator : Jeremy F. Butler, Conductor : Blake Neely, Visual Effects Producer : Petra Holtorf, Dolly Grip : Alain Masse, Construction Coordinator : Michel Brochu, Original Music Composer : Harald Kloser, Location Manager : Céline Daignault, Post Production Assistant : Jeff Schweikart, Digital Producer : Andra Bard, Makeup Effects : Adrien Morot, Lighting Artist : David B. Menkes
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The Day After Tomorrow (2004) Voll Streaming
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